|
For us, this exhibition was inspiring because it was curated by historically dispersed Ingrian-Finnish communities who live in Estonia, Finland and Sweden. It featured exceptionally interesting object stories, and we were particularly interested in how the exhibition format conveys research-based, detailed material. The exhibition presented (photo)stories that revealed the role of objects as bearers of memory and (intergenerational) identity in situations where one’s homeland has been lost, where people are forced to leave their homes, and where they live in a constant state of relocation. |
|
Kersti Samm’s book Dear Loved Ones (“Kallid kodused”, 2020)
From left: Marika Alver and Katarina Meister, the SLED artist duo, gave a speech at Kehra’s memorial stone for the deportation victims.
|
We wanted, on that day, to remember together and reflect on the impact of the March deportations in a somewhat different way than we have been used to so far. Therefore, we organized a memorial event at the Kehra Museum in the format of a book club discussion, inviting participants to reflect on the psychological effects of the deportations on people 75 years ago in the light of contemporary knowledge. For the event, we read Kersti Samm’s book “Kallid kodused” (Dear Loved Ones, 2020) and discussed, together with invited experts, the impact of the deportations on mental health. The book’s title refers to the letters Salme (Kersti’s mother) sent to Estonia and emphasizes how important it was, both for those deported to Siberia and for their relatives in Estonia, to maintain connections through letters and parcels. Kersti, who was deported to Siberia at the age of five, has retyped her mother’s letters in the book and supplemented them with her childhood memories. Excerpts from our speech: It seems to us that commemorations at the memorial stone usually focus primarily on the events of March 25, but the deportation was not a one-day event. For example, we have noticed that in many deportees’ stories, March 5, 1953—the day of Stalin’s death—is a highly significant date. It is remembered in great detail, because it gave deportees a justified hope that exile in Siberia would not be eternal and that they might soon return to their homeland. Thus, the trauma of deportation also includes the coping mechanisms developed in Siberia and the shock of returning to Estonia. Deportees were officially rehabilitated only in 1989, which meant that they effectively bore a double burden: after returning, it was very difficult for them to find both housing and employment in Estonia. In 2019, we planted Novosibirsk bird cherry trees next to the stones and named them “Blossoming Monuments.” We felt that these trees complement the memorial stones by symbolizing adaptation and the struggle for survival. As a lasting, living, and changing form, a tree is also conceptually strongly connected to memory and to the processual nature of keeping memories alive, as well as their transformation over time. At the core of deportees’ memories of Siberia are often survival and adaptation. In 1949, mainly women, children, and the elderly were deported, and survival in Siberia often rested on the shoulders of women, who, as providers and caregivers, had to bear multiple responsibilities. For this reason, we found that living trees are a fitting way to mark the experiences of deportees, as they carry within them the spirit of healing and growth. Paul Laasik who was born in Siberia by the Blossoming Monument. This is a decorative bird cherry from Novosibirsk; its green leaves turn red in summer and its blossoms are pink. |